Os usos e os atravessamentos do cineclube (e do cinema) na tessitura dos currículos em redes nos cotidianos

Abstract

This study inquires on usages and crossings of film society (and cinema) on the fabrics of network curriculum in the everyday life of a state managed public high school in Espírito Santo. We adopt theoretical-methodological references such as researches in/ of/ with everyday life (ALVES, 2008a, 2008b; FERRAÇO, 2002, 2003; OLIVEIRA, 2012), in a intense exercise of living, hearing, feeling tastes and smells, experiencing the dynamics of the fabrics of everyday life networks in which all of us are involved. A research that was not defined a priori, on the contrary, it has woven within itineraries, curves, stumblings, vicissitudes and the interlacing of networks. Production of research data was based on conversation (LARROSA, 2003; CERTEAU, 1994) produced after cinema sessions at film society Nome Provisório, from June to December 2014. We have attended to the projections of the films: Narradores de Javé, Quanto vale ou é por quilo?, Madame satã, O veneno está na mesa e Raspage; and we left ourselves intertwine throughout the fabrics of curriculum and the several lines that go along with the school. We concluded that film society operates as a profitable space-time of learning and, mostly, an important dimension of dialogue and community gathering.