Lirismo e testemunho na poesia de Nicolas Behr

Abstract

This work aims to study and extend the concepts of evidence in the literature, from texts related to genocide during World War II, from 1939 to 1945, and provisions on the bloody years in Brazil militarized dictatorships of the 1960s and 70. The hypothesis, in the wake of authors such as Giorgio Agamben and Márcio Seligmann-Silva, is to detect an actual witness the poetry of Nicolas Behr, a work that begins in the 1970s, continues in 2000 and has the striking feature of the present city Brasilia and, by extension, a vast political symbolism thereunder.