Assinaturas digitais e groovemas do TRAP brasileiro: um estudo musicológico audiotátil para ferramentas ubimus

Abstract

The present work aims to examine the impact of digital mediationon trap music, observing the way technology is used to reconstruct sounds and create completely new ones. To do so, we expand the perspective on music, seeking to understand a set of interactive issues - sonorities, discourses and the irintrinsic representations in the formation of emerging cultural practices as we interpret their context and the iraudio-tactile relevance with with epistemological potential in ubiquitous music.