Paul Klee e as perspectivas de ensino interartes

dc.contributor.advisor1Freitas, Alexandre Siqueira de
dc.contributor.advisor1IDhttps://orcid.org/0000-0002-4989-352X
dc.contributor.advisor1Latteshttp://lattes.cnpq.br/4616788871589192
dc.contributor.authorGomes, Hendy Anna Oliveira
dc.contributor.authorIDhttps://orcid.org/0000-0001-5895-3101
dc.contributor.authorLatteshttp://lattes.cnpq.br/8718895621014592
dc.contributor.referee1Cardoso, Renata Gomes
dc.contributor.referee1IDhttps://orcid.org/0000-0003-2228-3526
dc.contributor.referee1Latteshttp://lattes.cnpq.br/8431050646083624
dc.contributor.referee2Santos, André Domingues dos
dc.contributor.referee2IDhttps://orcid.org/0000-0001-5899-3306
dc.contributor.referee2Latteshttp://lattes.cnpq.br/0350620295872742
dc.date.accessioned2024-05-30T00:54:21Z
dc.date.available2024-05-30T00:54:21Z
dc.date.issued2022-09-23
dc.description.abstractThis research conducts an investigation on possible contributions of Paul Klee to interarts pedagogical actions. We reflect on differences and similarities between the languages of art and, in this way, we seek to broaden our view, aware that this demand requires a deep study, in addition to the establishment of solid and coherent criteria for the construction of pedagogical propositions in the field of arts. To achieve the expected results, we went through concepts of matter and technique, hybridism, sound and image/color, multisensory, aesthetic experience, creative processes based on authors such as Klee (1925; 1960; 1990; 2001), Merleau-Ponty (1999; 2014), Iazzetta (2016), Freitas (2008; 2009; 2012; 2016; 2020; 2021), Pareyson (1996), Caznok (2008), Eco (1976), Lichtenstein (2005), Hernández (1998), Clüver (1997), Freire (1996), Plaza (2013), Barbosa (2015) among others. We hope, with this research, to share reflections, experiences and, who knows, interarts pedagogical perspectives that may be useful to teachers and researchers in the field of arts and education.
dc.description.resumoA presente pesquisa realiza uma investigação sobre possíveis aportes de Paul Klee para ações pedagógicas interartes. Refletimos sobre diferenças e semelhanças entre as linguagens da arte e, neste caminho, buscamos ampliar nosso olhar, conscientes de que esta demanda exige um profundo estudo, além do estabelecimento de critérios sólidos e coerentes para a construção de proposições pedagógicas no campo das Artes. Para alcançar os resultados esperados, percorremos conceitos de matéria e técnica, hibridismo, som e imagem/cor, multissensorialidade, experiência estética, processos criativos embasados em autores como Klee (1925; 1960; 1990; 2001), Merleau-Ponty (1999; 2014), Iazzetta (2016), Freitas (2008; 2009; 2012; 2016; 2020; 2021), Pareyson (1996), Caznok (2008), Eco (1976), Lichtenstein (2005), Hernández (1998), Clüver (1997), Freire (1996), Plaza (2013), Barbosa (2015) entre outras. Esperamos, com esta pesquisa, compartilhar reflexões, experiências e, quem sabe, perspectivas pedagógicas interartes que possam ser úteis a professoras e pesquisadoras do campo das artes e da educação.
dc.formatText
dc.identifier.urihttps://dspace5.ufes.br/handle/10/16295
dc.languagepor
dc.publisherUniversidade Federal do Espírito Santo
dc.publisher.countryBR
dc.publisher.courseMestrado em Artes
dc.publisher.departmentCentro de Artes
dc.publisher.initialsUFES
dc.publisher.programPrograma de Pós-Graduação em Artes
dc.rightsopen access
dc.subjectEstudos interartes
dc.subjectPaul Klee
dc.subjectPedagogias interartes
dc.subjectPaul Klee
dc.subjectPedagogias interartes
dc.subject.br-rjbnsubject.br-rjbn
dc.subject.cnpqArtes
dc.titlePaul Klee e as perspectivas de ensino interartes
dc.title.alternativetitle.alternative
dc.typemasterThesis

Arquivos

Pacote original

Agora exibindo 1 - 1 de 1
Carregando...
Imagem de Miniatura
Nome:
Dissertação Final - Hendy Anna O. Gomes.pdf
Tamanho:
5.29 MB
Formato:
Adobe Portable Document Format