Ronaldo Azeredo : o mínimo múltiplo (in)comum da poesia concreta

Abstract

This research aimed to investigate, organize, classify and analyze the poetry of Ronaldo Azeredo, one of the members of Concretism, a trend that marked the Brazilian poetry from the 1950s. The poet’s literary work has been chosen for two main reasons. Firstly, he traveled a quite different path, which is characterized mainly by extreme brevity, peculiar experimentalism and proximity to the visual arts. Secondly, his work has not been widely spread yet. After an explanation of the notions of experimentalism, visual and concrete poetry, the research intends to recall the author’s route through the analysis of his work, from 1950 to 2000, decade by decade.