Con-fusões patéticas na composição dramática do Qorpo

Abstract

Following a circle path imposed by Qorpo-Santo dramatics compositions, we try to overlook his plays: As relações naturais, Certa entidade em busca de outra e Eu sou a vida, eu não sou a morte through three doors that give entry to the chorus composed by caracters whose skipping feets dance along theses dramas. We chase into those jumps of the chorus — which we consider similar to the Dionysius’ honor chorus — the place of dancing, from where the altar raises, the sacred place by excelence through circling spaces wide opened either down and high. Looking forward qorpo-santenses dramas we persue the ecstatic experience that conjoins man and art, which alows to him experience poeticaly his own existence.