Vooandanças em deslocamentos errantes: cartografia das artes Guarani Mbya em différance

Abstract

This research on wandering flights brings conversations, experiences and displacements composed in the creation and production of the arts in différance of the Guarani Mbyá indigenous of Aldeia Nova Esperança, located in the Municipality of Aracruz, State of Espírito Santo, with the objective of building a plane of immanence for the creation of the concept of the constitution of these arts as a power for indigenous resistance and re-existence through the reality of suppression of rights, socioeconomic vulnerability and macropolicies of annihilation. Thus, the writing of the research was constituted in/with/in the knowledge networks in the village, not only residing in the verification of the presence of products or cultural artifacts deriving from representations, discursive models, criteria or norms anchored in the framework of fixed identities, but in the displacements with the creation of tactics, inventiveness, bricolage and in the performativities of these practices whose fabrics circumvent such prescribed and predicted references. The research process was carried out by the Cartographic Method in the composition of the geography of the wandering movements and the hecceities of the multiplicity of arts practiced in différance by this people, valuing their traditional knowledge, their social organization, their ways of representing the world, translating the contemporary environment, marked by borders, negotiations and hybrids. As to hope, a direct transitive verb used here in order to reinvent and circumvent the precept of result, the research conceptualizes that the minor narratives expressed and materialized in knowledge and artistic practices in différance are powers in the production and creation of realities as war machines nomadic. They is ancestral, but they also challenge the larger narrative, circumvent the rules and official codes, break protocols, reveal what is hidden, expose the muteness, inhabit molecular lines and also escape through lines of flight emerging through cracks and crevices in/of/with everyday life, creating forms of reexistence that transmute resistance.